The first year I attended the conference of the Association of Writers and Writing Programs, I went as a writer. I was really focused on improving my own writing and hearing amazing authors read their work. That role for me has gradually morphed, and this year I identify more as an editor, and attended the conference as the Senior Editor of Under the Gum Tree #telltruestories. My attention was split between panels and readings that would promote and inspire the literary magazine and those that would help me support my freelance editing clients.
Man, it was a good mix.
At their annual pre-conference meeting, CLMP‘s Jeffrey Leppendorf and SPD‘s Brent Cunningham discussed their respective non-profit service orgs–here to support small presses. They also announced their Firecracker Award winners, which included our friends at Etruscan Press, publisher of Renee D’Aoust‘s Body of a Dancer and Peter Grandbois’ Nahoonkara, two books I often use with my clients and refer back to again and again when I want to be moved by language.
Small presses are so important to today’s publishing landscape, and this was illustrated at panel R154: Small is the New Big: Working with Independent Presses to Build a Literary Career. Two agents from Folio Literary Management (Michelle Brower and Erin Harris), the executive editors of two mid-size presses (Coffee House’s Molly Fuller and Greywolf’s Ethan Nosowsky), and the executive editor of Harper Perennial (Cal Morgan) talked about the role of small presses. The big takeaways:
Gotta love it.
University Presses are considered small presses, and quite a few panels at #AWP15 were inspired by University Press publications. Like this one:
Published by the University of Nebraska-Gender Programs, the anthology Being: What Makes a Man, was the catalyst for panel R274: Tender Moments: The Role of Tenderness in Men’s Narratives. Kevin Clark, Lee Martin, Dinty Moore and James Engelhart were assembled by Jill McCabe Johnson to have a conversation. No conclusions were drawn, other than the fact that there is a subtext of great tenderness in nearly all of the most admired writing by men. Even Hemingway, Richard Ford. Think about it. My takeaways:
#AWP15 #underthegumtree #CNF